Conseils pour accordage 8 cordes

Bonjour a vous tous, nouveau venu sur ce super forum j'ai besoin d'un conseil pour élargir les accordages que j'utilise...

Je suis un fidele du C6 ( A C E G A C E G) qui me procure beaucoup de plaisir et me permet de jouer majeur et mineur assez facilement...

Je joue un répertoire de standards swing et western swing années 30 et 4O, j'ai mis un accordage E13 sur mon autre manche, il me sers essentiellement pour les ponts (genre rythm changes etc...) ou les grilles de Blues...

Auriez vous un autre accordage (et tirant de cordes correspondant) a conseiller en complément du C6 pour jouer ce répertoire ?

Amitiés et joyeux noêl a tous !

Merci d'avance

jétte un coup d'oeil ici Rémi

(dans 8 string tunings)

http://www.well.com/user/wellvis/tuning.html


http://www.rickalexander.com/BigSteel/Tunings.html

http://www.b0b.com/tunings/index.html

s: les steel triple manches on trouvait des open en 6éme ( en C, D & en A), 13éme ( en C, E & Eb & F) & 11éme ( en Ab, A & Bb, B)

(delete bass notes for 6 string)
low to high :

* C6th-GACEGACE. Perhaps the most common tuning, used in Hawaiian, Country, Western Swing, and other styles. The 6th note of the scale(A) is introduced to the basic triad tuning of CEG, allowing full minor chords (ACE=Am) without slants. Barney Isaacs used the upper 6 strings of this tuning and called it Am7. He used it on all the tunes on the "Hawaiian Touch" recording with George Kuo (Dancing Cat Records 08022 38026-2). Jerry Byrd is credited with discovering this tuning.

* C6+A7-ACC#EGACE. The addition of the C# string in the bass allows for more chord voicing types- within the open strings, you can find A7 and C#diminished, along with the C6 chords. Not a 'strum' tuning, the C and C# together are dissonant. Another Jerry Byrd favorite.

* C6(high G)-ACEGACEG. The upper portion of the C6 pedal steel tuning (which has low C and F as it's 10th and 9th strings).The G 1st string extends the upper range of the instrument. BTW, many pedal steel players now lower that 1st string to D (lower pitch than the 2nd string), which allows some nice possibilities as well.

* E13-EG#DF#G#BC#E. Similar to the E9th pedal steel tuning with the added C#.A good Western Swing tuning.
*
* F#13 -F#, D#,F#,A#, E,G#,C#, E
* Joaquin Murphey, the unparalleled master of jazz steel guitar, as well as Herb Remington, Speedy West also used this F#13.

* E13-EG#BDEG#C#E. This version used in Hawaiian music.

* A6-F#AC#EF#ACE. Used by Herb Remington in his pre-pedal days (in fact, his pedal tuning is an extension based on this tuning). Another good Swing/Hawaiian sound

* C#m7-BDEG#BC#EG#. Used by Don Helms (with Hank Williams), Little Roy Wiggins (Eddy Arnold, George Morgan) and Speedy West.

* C#m-EBEG#C#E. Similar to E13.
* Sol Hoopii used this 6string tuning among others: EBEG#C#E

* B11-C#D#F#AC#E. A beautiful Hawaiian tuning.

Leavitt tuning. D C Bb G E Db Eb C.

8 string tunings (low to high):
C13 - C Bb C E G A C E
B11 - B F# B D# F# A C# E
E13 - E G# B D F# G# C# E

Merci beaucoup ! c'est exactement ce que je recherchais ! James, il y a quelques supers adresses que je vais aller explorer ! en attendant Merry Slidin' Christmas... Rémi
PS : je descends tester immediatement le F#13 de Speedy West !

Ray Montee des USA ecrit :
When Paul Bigsby constructed my four neck BIGSBY in 1956, I asked if he could put Speedy Wests' tunings on it just like Speedy had them.
He told me before I rec'd the g'tar that he had set it up just like Speedy's and here's what I got: (Hi to Lo)

G# E C# B>B-FLAT G# E C# B

E C# G# E B-FLAT F# E-flat F# (7 & 8 chromatic)

E B>C# G#>A F# D>E B>C# G#>A E

merci encore ! je vais tester tout ça et vous en dirais des nouvelles..

a+
Rémi