Doug Jernigan :
'Jazz By Jernigan' tab shows:
P4:
6: E-F
7: C-C#
8: A-Bb
9: F-Eb
Pedals five, six and seven: standard Emmons
P8:
7: C-C#
9: F-E
10: C-A
---------------------------
LKL:
2: E-Eb
6: E-F ('reverse' pedal 6)
Vertical 'Knee'
4+8: A-Bb
LKR:
6: E-D
RKL:
4/8: A-Ab
RKR:
3: C-B
-----------------------------------
this is with a 'D' on the top string.
------------------------------------------------------------------------------------
LKL LKV LKR 4 5 6 7 8 RKL RKR
G.......................G#..........................
E....D#......................F......................
C.................................D...............B.
A.........Bb......................B.........Ab......
G.......................F#..........................
E....F.........D...F.........D#.....................
C..................C#..................C#...........
A.........Bb.......Bb.......................Ab......
F..................Eb...F#.............E............
C.......................D..............A............
JD Maness
Mike JohnsonE9C6 From
Randy BeaversMy setup is fairly standard with only one exception, in that I lower the 5th string a whole tone by itself. I think several people are doing that also.
Here goes:
Standard Emmons floor pedal setup.
P1: raise 5 and 10 1 tone
P2: raise 3 and 6 1/2 tone
P3: raise 4 and 5 1 tone
LKL toward back: raise 4 and 8 1/2 tone
LKL toward front: lower 5 1 tone
LKV: lower 5 and 10 1/2 tone
LKR: lower 4 and 8 1/2 tone
RKL: lower 6 1 tone
RKR: lower 2 1 tone with 1/2 stop, lower 9 1/2 tone
Pretty much a basic setup. You'll notice I don't raise the 1st or 2nd strings. Several players raise these with the knee lever that lowers the 6th string 1 tone. I like playing a minor chord out of the root position with this lever and the B pedal pushed. When the 1st and 2nd strings are raised you lose the 9th and major 7th tones of that chord, in that position. Many times those are the notes needed for the melody line. I like what can be done raising those strings, but for me I don't want to lose those natural notes.
I play quite a lot off the 9th string both lowered and in its natural tone.